DISPATCH AUTUMN 2003 |
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the timeliness of tom It fascinates me to observe contemporary culture and note how vital the work of Tom of Finland remains within that culture. Since his death in 1991 there have been some highs and lows in Tom’s popularity, but having been involved with his work for two and a half decades, its encouraging to note that, now, rather than waning, his popularity appears to be expanding into new, hitherto unimagined realms. An expansive portfolio spanning six decades, Tom’s work has clearly withstood the test of time. I read a posting on the Internet recently from a young
"stud" declaring that Tom and his work belongs to all those who love well-defined, virile men, and not to the leather fetish community. He was right to claim
Tom's work as his own, but shortsighted in not realizing that Tom’s work really belongs to everyone. I know many Europeans who visited California in search of CHP and LAPD motorcycle patrol officers because of the idealized renderings of these men in uniform and their shiny machines that Tom did throughout the 1980s. Tom used to joke that the New York and Los Angeles police departments should hire him to redesign their uniforms to be more
"body conscious," so that they might convey the same power, sexiness, and authority that Tom’s cops project. "Rebel 001," the first Tom of Finland action figure is now in stores, the first in an anticipated series of collectibles modeled after Tom’s iconic men. Taschen Books plans an ambitious, large-scale
follow-up to its highly successful Tom of Finland: The Art of
Pleasure, and other merchandise includes greeting cards, bed linens, towels, napkins, underwear, sportswear, belt and boot buckles, and au courant t-shirts!
Touko Laaksonen, the man we know as Tom of Finland, was a typically fiery man from the north. Like all visionaries, he was slightly ahead of his time. But times change, and Tom’s time has arrived.
— Durk Dehner |
© TOM OF FINLAND FOUNDATION 2003 |