The
Museum of Contemporary Art in Los Angeles
presents:
Bob
Mizer and Tom
of Finland
BOB MIZER
Jim Horn, Los Angeles, c. 1966
Vintage large-format black and white negative Silver gelatin print
8 x 10 inches
Printed with permission of Bob Mizer Foundation, Inc .
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TOM OF FINLAND,
(Touko Laaksonen, Finnish, 1920 – 1991)
Untitled (No.1 from "Cyclist and the Farm Boy" series)
1973
Graphite on paper, 11” x 8”
Bob Mizer/AMG Collection, Tom of Finland Foundation Permanent
Collection #73.10, © 1973 Tom of Finland Foundation
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Opening Party: Saturday, November 9,
6:00 - 9:00 PM
Admission to MOCA Pacific Design Center is free.
With
Art
& Physique Circa Bob & Tom
(6:00 - 9:00 PM) for a look at erotic
art from the 1940s, 50s & 60s.
And
GoGo
Dancer Appreciation Festival
(7:30 - 10:30 PM) with this year's
theme: Tom of Finland!
PLUS
Classic
Porn Grooves
On November 16, 6:00 - 8:00 PM
Honey Soundsytem DJing with film loops from '80s porn projected on the
side of the PDC buliding
along with curated performances related to synthesizer legend Patrick
Cowley's Fox Studio work.
PLUS
MOCA
To One
On January 12, 2:00 - 5:00 PM
Art Walk Tour with Durk Dehner, President of Tom of Finland Foundation
and John Sonsini, LA artist and Assistant to Bob Mizer 1986 - 1992
PLUS
Two Panel Discussions in the West Hollywood
City Council Chambers
On November 17 and December 1, 2013
Closing Talk January 26, 12 noon -
2:00 PM
An
informal talk on “Bob Mizer & Tom of Finland”
By Durk Dehner, President & Cofounder Tom of Finland Foundation
At The Museum of Contemporary Art at Pacific Design Center
Organized by MOCA
Curator Bennett Simpson and guest co-curator Richard Hawkins,
the exhibition is presented with the full collaboration of
Bob Mizer Foundation
and Tom of Finland Foundation
and made possible by
David
Kordansky Gallery, Los Angeles and The
City of West Hollywood.
Additional support is provided by Blake Byrne, Gina
Padilla and Dexter Williams.
Generous support for MOCA Pacific Design Center is provided by Charles
S. Cohen.
In Bob Mizer & Tom of Finland we get to see
how their careers were both related and divergent.
MOCA presents the first American museum exhibition devoted
to the art of Bob Mizer (1922–1992) and Touko Laaksonen, aka “Tom
of Finland” (1920–1991), two of the most significant figures
of twentieth century erotic art and forefathers of an emergent post-war
gay culture.
The exhibition features a selection of Tom of Finland’s
masterful drawings and collages, alongside Mizer’s rarely seen
photo-collage “catalogue boards” and films, as well as a
comprehensive collection of his groundbreaking magazinePhysique Pictorial,
where drawings by Tom were first published in 1957. Organized by MOCA
Curator Bennett Simpson and guest co-curator Richard Hawkins, the exhibition
is presented with the full collaboration of the Bob Mizer Foundation,
El Cerrito, and the Tom of Finland Foundation, Los Angeles.
Tom of Finland is the creator of some
of the most iconic and readily recognizable imagery of post-war gay
culture. He produced thousands of images beginning in the 1940s, robbing
straight homophobic culture of its most virile and masculine archetypes
(bikers, hoodlums, lumberjacks, cops, cowboys, and sailors) and recasting
them—through deft skill and fantastic imagination—as unapologetic,
self-aware, and boastfully proud enthusiasts of gay sex. His most innovative
achievement though, worked out in fastidious renderings of gear, props,
settings, and power relations inherent therein, was to create the depictions
that would eventually become the foundation of an emerging gay leather
culture. Tom imagined the leather scene by drawing it; real men were
inspired by it… and suited themselves up.
Bob Mizer began photographing as early
as 1942, but unlike many of his contemporaries in the subculture of
illicit physique nudes, Mizer took the Hollywood star-system approach
and founded the Athletic Model Guild in 1945, a film and photo studio
specializing in handsome natural-bodied (as opposed to exclusively muscle-bound,
the norm of the day) boy-next-door talent. In his myriad satirical prison
dramas, sci-fi flix, domesticated bachelor scenarios, and elegantly
captivating studio sessions, Mizer photographed and filmed over 10,000
models at a rough estimate of 60 photos a day, seven days a week for
almost 50 years. Mizer always presented a fresh-faced and free, unashamed
and gregarious, totally natural and light-hearted approach to male nudity
and intimate physical contact between men.
For these groundbreaking perspectives in eroticized representation
alone, Mizer ranks with Alfred Kinsey at the forefront of the sexual
revolution. Though Laaksonen did not start spending time in Los Angeles
until the early 1980s, he had long known of Mizer and the photographer’s
work through Physique Pictorial, the house publication and sales tool
for Athletic Model Guild. It was to this magazine that the artist first
sent his drawings and it was Mizer, finding the artworks remarkable
and seeking to promote them on the magazine’s cover, but finding
the artist’s Finnish name too difficult for his clientele, who
is responsible for the now famous “Tom of Finland” pseudonym.
By the time the gay liberation movement swept through
the United States in the late 1960s, both Tom of Finland and Bob Mizer
were already well-known and widely celebrated as veritable pioneers
of gay art. Decades before Stonewall Inn and the raid on the Black Cat
Tavern these evocative and lusty representations of masculine desire
and joyful, eager sex between men proliferated and were disseminated
worldwide at a time when the closet was still very much the norm—there
was no such thing as a gay community.
If these artists were not ahead of their time, they might
just have foreseen and even invented a time.
Spanning five decades, the exhibition seeks a wider appreciation
for Tom of Finland and Bob Mizer’s work, considering their aesthetic
influence on generations of artists, both gay and straight, among them,
Kenneth Anger, Rainer Werner Fassbinder, David Hockney, G.B. Jones,
Mike Kelley, Robert Mapplethorpe, Henrik Olesen, Jack Pierson, John
Waters, and Andy Warhol. The exhibition also acknowledges the profound
cultural and social impact both artists have made, especially in providing
open, powerful imagery for a community of desires at a time when it
was still very much criminal.
Presenting the broader historical context and key aspects
of their shared interests and working relationship, as well as more
in-depth solo rooms dedicated to each artist, the exhibition establishes
the art historical importance of the staggering work of these legendary
figures.
In addition to approximately 75 finished and preparatory
drawings by Tom of Finland spanning 1947–1991, the exhibition
includes a selection of Tom’s never before exhibited scrapbook
collages, and examples of his serialized graphic novels, including the
legendary leatherman Kake, as well as a selection of Mizer’s “catalogue
boards,” AMG films, and a complete set of Physique Pictorialmagazine.
An accompanying publication includes texts by the exhibition co-curators
and a selection of images.
The show revisits how gay artists in the mid-20th
century were “robbing straight homophobic culture of its most
virile and masculine archetypes (bikers, hoodlums, lumberjacks, cops,
cowboys, and sailors) and recasting them—through deft skill
and fantastic imagination—as unapologetic, self-aware, and boastfully
proud enthusiasts of gay sex.”
— Eric Shorey
Durk Dehner Talks About Tom of Finland and
TOM House Tour
In this short video, Dehner and Foundation vice
president S.R. Sharp discuss Tom’s radical imaginary,
his command of the gay male gaze, how Tom of Finland got his
name, and why Tom made the move to Los Angeles. Dehner has preserved
the home he shared with Tom as a homage to Tom’s legacy,
and to this day, the home remains open to the public.
Directed by Emma Reeves
Shot by Tom Salvaggio & Andy Featherston
Edited by Tom Salvaggio
More on TOM's
Blog |
Richard
Hawkins on Bob Mizer & Tom of Finland
Artist Richard Hawkins tours Bob Mizer & Tom of Finland.
Hawkins, who guest co-curated the exhibition with MOCA Curator
Bennett Simpson, examines selections from the first-ever presentation
of catalogue boards of Mizer’s Athletic Model Guild studios,
which to him are enthusiastic celebrations of everyday youth and
beauty, as well as Tom of Finland’s pencil drawings and
pen-and-ink illustrations of radical sexuality.
Directed by Emma Reeves
Shot by Tom Salvaggio & Andy Featherston
Edited by Tom Salvaggio
More on TOM's
Blog
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Photos
of the opening.
Review
by Kate Wolf for Artform
"If Tom of Finland helped pave the way to gay liberation with mythic
portrayals of indomitable
queer men, Bob Mizer documented the real people walking along the path."
Review
by a Straight Guy, Gay Guy, and a Straight Woman for LA Weekly
"Straight Guy: I think it would be
tough for any man, regardless of orientation,
not to emerge from this unaffected."
Review
by Christopher Knight for the Los Angeles Times
"Fun To Be Had In Works Of Bob Mizer And Tom of Finland"
Review
by Drew Mackie for KCET
"Tom of Finland In Los Angeles"
Essay
by artist and exhibition co-curator Richard Hawkins
"Paper Tricks: Richard Hawkins on Bob Mizer & Tom of
Finland"
Review
by Kevin Killian in ARTFORUM
"In Victorian times, the site of gay pleasure, sensuality, and
communality was the ol’ swimming hole, celebrated by artists like
Walt Whitman and Mark Twain, Thomas Eakins and Henry Scott Tuke. Photographer
and publisher Bob Mizer and illustrator Touko Laaksonen (“Tom of Finland”)
relocated the Victorian Eden to the filling stations, pools, bars,
gyms, and barracks of a
landscape remarkably like Los Angeles, a sunbaked utopia where every
man’s a dreamboat and he’s bursting out of his jeans to get at you."
Review
by James Nichols in Huffington Post
"Richard Hawkins Tours Bob Mizer And Tom Of Finland Exhibition"
Review
by Kyle Fitzpatrick in Los Angeles I'm Yours
"Penis Pals: Bob Mizer & Tom Of Finland At MOCA"
Review
by Ryan Wong in Hyperallergic
"Tom, Bob, and the Boys: Queering Midcentury Americana"
PANEL DISCUSSIONS
MOCA is presenting two panel discussions in the
West Hollywood City Council Chambers in conjunction with the
exhibition Bob Mizer & Tom of Finland. We encourage you
to attend these events and visit the ONE Gallery:
The Shaping of Desires
Sunday, November 17, 2013, 3 PM
West Hollywood City Council Chambers
625 North San Vicente Boulevard
West Hollywood, CA 90069 · MAP
More on TOM's
Blog
A lively conversation exploring artistic investigations and
representations of bodies, sexualities, and genders with artists
Heather Cassils, Monica Majoli,
and A. L. Steiner, moderated by MoMA PS1 Curatorial
Associate and ONE’s Cruising the Archive co-curator, Mia
Locks.
Bob Mizer and Tom of Finland: Making
Models of Homo-Masculinity
Sunday, December 1, 2013, 3 PM
West Hollywood City Council Chambers
625 North San Vicente Boulevard
West Hollywood, CA 90069 · MAP
More on TOM's
Blog
Dennis Bell, President of the Bob Mizer Foundation,
S. R. Sharp, Vice president of the Tom of Finland
Foundation, and artists Richard Hawkins and
John Sonsini, will discuss the artistic and
cultural significance of Bob Mizer and Tom of Finland in a conversation
moderated by MOCA Curator Bennett Simpson on
World AIDS Day.
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Review
in Frontiers Magazine
The L.A. museum welcomes an exhibit
featuring the work of Bob Mizer and Tom of Finland
Western artists have long considered portrayals of the ideal
male physique to be a deserved focus of aesthetics. In Ancient
Greece, Lysippos of Sikyon’s most recognizable sculpture,
Apoxyomenos (aka The Scraper), depicts a nude athlete scraping
oil from his body after exercising. The muscle-toned youth exhibits
a chiastic stance echoed in nude male statuary through the centuries,
most notably in Michelangelo’s most famous work, David.
The idealized masculine image, however, isn’t confined
to classical sculpture. Over the ages, portrayals of strapping,
disrobed young men have featured prominently in paintings as well,
evidenced by the oeuvre of Thomas Eakins, a 19th century Philadelphia-based
artist whose work frequently showcased his male students sunbathing
in the buff.
The pendulum of art—like the history which produces it—constantly
swings from liberalism to conservatism. Its blade regularly vacillates
between an exaltation of the male form and the form’s condemnation.
Often during these darker, sexually repressed eras, fields of
creativity would suffer from suppression and censorship. During
the Middle Ages, for instance, the Vatican castrated numerous
statues, including the aforementioned Apoxyomenos, replacing statues’
phalluses with sexually neutral fig leaves.
This mentality of unease towards homoerotic imagery permeated
Puritan-influenced American culture, and it was within a climate
of homo-repression that artistic rebels like Bob Mizer and Tom
of Finland flourished.
Considered pioneers of the 20th century male nude, both
artists will be showcased in The Museum of Contemporary Art, Los
Angeles’ new exhibit, Bob Mizer & Tom of Finland, the
first American museum exhibition devoted to the works of Mizer
(1922-92) and Touko Laaksonen (1920-91), the man behind the Tom
of Finland name.
Bob Mizer, Physique Pictorial, Volume 7, Number
1; 1957; Publication
Printed with permission of Bob Mizer Foundation, Inc.
Artwork by Tom of Finland © 1957 Tom of Finland Foundation,
Inc.
Adopting the pseudonym Tom of Finland for English-speaking
audiences, Laaksonen regularly contributed to Physique Pictorial,
his artwork first gracing the magazine’s cover in 1957 with
a drawing of muscular lumberjacks at work. These libidinous log-drivers
are but one example of Laaksonen usurping archetypically heterosexual
personae and recasting them in a homoerotic light. At the time,
gay men were generally portrayed as effeminate in films and vaudevillian
theater. Laaksonen challenged this narrow-minded, homophobic perspective
by cultivating the homo-masculine potential of cops, cowboys,
sailors and, most prominently, bikers. Laaksonen’s renditions
of the latter are what inspired our modern day leather movement.
Curated by Bennett Simpson and guest co-curator Richard
Hawkins, the MOCA show features a selection of Laaksonen’s
iconic and masterful drawings, collages and books, juxtaposed
with Mizer’s photographs, films and a collection of his
groundbreaking magazine, Physique Pictorial. Presented in collaboration
with the Bob Mizer Foundation and the Tom of Finland Foundation,
the exhibit seeks a wider appreciation for Mizer and Laaksonen’s
art, considering their aesthetic influence on generations of artists,
both gay and straight, while also acknowledging the artists’
profound cultural and social impact, most importantly in providing
open, powerful imagery of queer sexuality in an era of rapidly
shifting attitudes towards homosexuality.
“There’s a joyful, celebratory and sex-positive aspect
to Mizer’s photographs and Tom’s drawings,”
says Hawkins. “Both artists began working and publishing
20 years before Stonewall, so we know very clearly that they were
ahead of their time. But I would like to think that they actually
helped create a time.”
“Tom of Finland can be considered the forefather of the
leather community,” says Hawkins, “in that he single-handedly
perfected—through his own meldings of the sexiest aspects
of biker and military leathers—what we can now readily identify
as leather and fetish gear. But, in addition to that, Tom was
able to create characters who were devout and self-confident enthusiasts
of gay sex without even a hint of shame. In that sense, the work
can be considered militant … as well as hot.“
Complete
article by MIKE CIRIACO
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Review in Vogue (Italy)
Bob Mizer & Tom of Finland exhibition
The Pacific Design Center of the MOCA in Los Angeles opens the
door to Bob Mizer & Tom of Finland, an exhibition organized
by the museum's curator Bennett Simpson and Richard Hawkins (co-curator
of the event).
The project turns its attention to two pioneers of homoerotic
art of the twentieth century as well as precursors of gay culture
during the postwar period. Bob Mizer, publisher of historical
homosexual magazine Physique Pictorial, a photographer
whose peculiarity was able to capture the male nudity without
shame, with extreme freedom and irony, he is considered the man
who pioneered the sexual revolution.
TOM OF FINLAND (Touko Laaksonen, Finnish, 1920 – 1991),
Untitled (Detail), 1968
Graphite on paper, 12.94” x 9.38”, ToFF Cat. #68.06,
Collection of Volker Morlock
© 1968 Tom of Finland Foundation
Though Laaksonen, known by the name of Tom of Finland, was instead
a Finnish illustrator who reworked models symbol of male virility
and homophobic culture in fantastic, making them the symbol of
gay pride, his depictions are considered to be foundations, emerging
at the time, the leather gay cultures. The two worked together
for the magazine Mizer, Physique Pictorial, in fact the
exposure as well as a selection of the best illustrations of Tom
of Finland and some new works by Bob Mizer such as movies, collages
and catalogs, will include also a collection of covers taken directly
from the archive of Physique Pictorial, designed by Tom
at the time and published for the first time in 1957. [Google
Translate]
L’UOMO VOGUE | News in Italian
More
on TOM's Blog
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More info and photos on TOM's
Blog
The Museum of Contemporary
Art in Los Angeles
Monday closed, Tuesday - Friday 11 AM
–5 PM, Saturday & Sunday
11 PM – 6 PM
Closed New Year's Day, Independence Day, Thanksgiving, and Christmas Day.
Pacific Design Center, 8687 Melrose Ave, West Hollywood, CA ·
MAP
·
310.657.0800
(North San Vicente, between Santa Monica & Melrose)
The Museum of Contemporary Art Website
MOCA Pacific Design Center Page
Bob Mizer Foundation Website |